Early
days
in
Le
Thuy’s
performing
career
CLVNCOM
-
I
still
remember
how
much
I
cried
when
I
watched
Le
Thuy
playing
the
main
character
in
the
play
named
To
Anh
Nguyet
or
in
some
other
plays
such
as
“Ao
Cuoi
Truoc
Cong
Chua”
(Wedding
dress
in
front
of
the
pagoda
gate)
and
“Luong
Son
Ba,
Chuc
Anh
Dai”…
I
do
not
really
know
how
and
when
I
became
addicted
to
her
voice
and
the
characters
she
portrayed
in
those
plays,
but
I
know
for
sure
that
many
Le
Thuy’s
fans
love
her
down-to-earth
yet
wonderful
performing
style
with
a
sweet
and
terrific
singing
voice.
The
mixture
of
contralto
and
soprano
in
her
voice
is
so
unique
that
one
cannot
find
it
in
any
other
singers.
Le
Thuy
started
her
singing
career
at
the
age
of
14
in
1961
on
the
stage
of
Tram
Vang
troupe
where
she
took
her
beginning
steps
to
the
arts
of
Cai
luong.
Le
Thuy
was
the
god-daughter
of
the
couple
Muoi
Cua,
the
troupe’s
musician,
and
she
joined
the
troupe
to
learn
how
to
sing
Cai
luong.
Because
she
was
not
its
official
member,
she
did
not
get
any
singing
parts
when
the
troupe
went
on
tours
to
remote
areas.
In
order
to
give
Le
Thuy
an
opportunity
to
have
the
parts
in
a
play,
Mr.
and
Mrs.
Muoi
introduced
her
to
the
couple
Thanh
Son
–
Kim
Ha,
who
were
the
leading
artists
for
Tram
Vang,
to
be
their
god-sister.
Le
Thuy
recalled:
“This
was
the
first
spring
I
lived
apart
from
my
family,
so
I
felt
very
sad.
The
sadness
multiplied
when
I
was
more
like
a
servant
to
those
leading
artists
than
one
of
the
troupe’s
official
members.
I
would
have
been
happy
even
in
a
smallest
role
such
as
that
of
a
maid
but
I
was
not
given
a
chance!
Nevertheless,
because
of
the
tremendous
love
for
Cai
luong
and
the
desire
to
perform
on
stage,
I
swallowed
my
pride
and
put
aside
all
my
unhappiness
and
bitterness
to
learn
how
to
sing.
I
was
determined
to
become
a
leading
actress
some
day.”
Six
months
later,
all
the
self-pity
and
difficulties
faded
away
little
by
little
when
the
owner
of
the
troupe
discovered
Le
Thuy’s
wonderful
and
high-pitched
voice,
and
he
employed
her
to
sing
backstage.
At
that
time,
she
was
still
a
little
girl,
so
she
could
only
handle
those
small
parts.
Nevertheless,
Asia
recording
company
invited
her
to
record
Cai
luong
songs
in
1962,
and
her
first
recorded
song
was
“Nau
Banh
Dem
Xuan”
(Cooking
rice
cakes
on
New
Year
Eve).
Le
Thuy
turned
over
all
of
her
earnings
from
this
song
to
her
mother.
One
year
later,
Le
Thuy
became
the
leading
actress
in
the
troupe
when
actresses
Thanh
Huong’s
and
My
Ngoc’s
contracts
ended.
Several
months
after
that,
Le
Thuy
became
so
well-known
and
was
a
much-sought-after
singer
by
many
other
troupes
that
hoped
to
bring
her
wonderful
voice
to
their
audience.
Seeing
that,
Kim
Chung’s
owner,
her
then-manager,
increased
her
salary
5
times
(from
$50,000
VND
to
$250,000
VND)
in
an
attempt
to
keep
her.
A
few
months
later,
her
salary
went
up
to
$600,000
VND
and
then
to
one
$1,000,000
VND,
which
made
Le
Thuy
“a
millionaire”
at
the
young
age
of
17.
It
was
in
the
same
year
that
she
received
another
great
joy
–
she
was
awarded
the
prestigious
Thanh
Tam
award
in
the
promising-artist
category.
Success
and
happiness
continued
to
come
to
her
in
the
following
years.
Unfortunately,
in
1968,
her
house
was
burned
down
in
the
war,
but
the
support
from
her
loyal
fans
and
the
troupe
owner,
Mr.
Long,
helped
her
overcome
all
that.
What
Le
Thuy
had
tasted
and
experienced
in
the
early
days
of
her
career
did
not
discourage
or
dampen
her
spirit,
she
still
felt
very
blessed
than
many
others.
Le
Thuy
got
married
in
1973,
but
she
did
not
ignore
her
duties
toward
her
parents
and
siblings.
At
that
time,
she
also
received
other
prestigious
awards
such
as
“Bao
Bien”
and
“Most
beloved/admired
performer
of
the
year”…
She
got
the
honor
to
perform
in
the
neighboring
countries
and
in
Western
Europe.
In
1992,
she
was
awarded
the
title
of
the
meritorious
artist
by
the
government.
And
she
has
promised
to
devote
more
time
to
the
traditional
arts
of
Vietnamese
opera,
even
in
her
old
age.
Translated
by
onlyyou
&
lekt
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